New Poetry with Audio!

Donald Revell
Stephen Burt
Paul Hoover
Jonah Winter
Cathy Wagner
Reginald Shepherd
Nin Andrews
Sophia Kartsonis
Sandra Miller
Joshua Harmon
Devin Johnston
Chuck Zerby
Sara Henning
Ognjen Smiljanic
Lance Phillips
Peter Drake
Kathleen Byrne
Ernest Hilbert
Garth Greenwell
Marc McKee

Criticism

Brian Henry on Kinsella
Gabriel Welsch on Northrop
Gabriel Welsch on Smith
Cecily Iddings on Ruefle
Christopher McDermott on Wenderoth



MTC Cronin’s My Lover's Back was released in 2002 by University of Queensland Press.

José Touches His Toes

José's smooth bum

leans up against the cold wall

Tight pants

go all the way to the floor

And José says

"It feels like a cunt

It really does"

And the man looks

at José's smooth face

and small hands

and tight smile and says

"I ain't never had

a woman in prison,

you sayin' I should

start now?"

Tight pants

fall all the way to the floor

And José touches his toes

and says

"Unnecessary,

just look on it as a

situational constraint."



....duet from Tristan and Isolde
                            was on the radio....

I am down on the floor

Dress hitched around my hips

Wet as a deep creek

My dress and pursed my lips

In concentration scrubbing that floor

A good job with a brush

That is large and wide and hard

And covered with bristles

As firm as hog’s whiskers and lush

I am working and working

Round and round and round

Moving the brush on the marbled floor

With my hands my knees hurting

On the hard wet ground

My sweating neck intent I bend

My body to clean and tend

 

But then up behind me

There is something grabbed

And startled

But I do not turn to see...

 

I set my tits free

One at a time

I let my tits hang down

And whacked

And smacked

You across the face with them

Thwack!

 

And you belted my arse

Smack!

You grabbed me fast

You held me down

And bit them hard

You showed those cheeky tits

And released my other bits

 

And screamed

I screamed

It fits!  It fits!

I could hardly move

You shoved so hard

And splayed my legs

Like a hand of cards

A royal flush

A delicious blush

Your jack

It filled my throat

While your claws tested

How deep my moat

And all at once

I had every window filled

While you chugged

And lugged

And spilled

And then my dear

It was all over

I’ll never have another dog

Called Rover



Rafflesia (Hers)

                for Sappho

 

I was buried for a month

with my head

between her thighs

begging her to come down

but she liked it up there

Plump baby doll

with a top-knot of hair

Over me

she has the power of the keys

the power to loose and bind

I like to see her eyes as they close

Feel her breath burning in mine

I lick

And suck and sink

I see her lips

euphemistically for bloody

rolled back in ecstasy

blooming like the lost

flower of the sky

My fingers reach up

to make the waves

it floats on

and in my nostrils

delicious –

                                    a gust of stink



Rafflesia (His)

                for Georges Bataille

 

Immense end

that avoids me

smell you

in this excess of mind

spilling like shit

self-hatred

into my lover's

clean hands

empty empty heart

watch him cry

dressed again

unreleased

why don't you fuck me

you bastard

it's you

but there's no body

no breast

the giant flower

stinks all through us

it's you

you bastard

why don't you fuck me

I lie here

with no cunt

for you to put it in.



13 Ways of Having Sex with a Cow

                Perceptions ... are themselves real

 

1.

With the cow's consent...

 

2.

In a painting – landscape of course – with the farmhouse

daubed gently behind the field where the quietly watching

herd stand anonymous, as if raincoated, in the intersection

of many rays of sun; where every stroke of the brush is keenly

felt by the crowd; it is as if the master has been hard at work...

 

3.

Standing on a drum: tried and true classical method likely

to get you spotted from a passing train, an interesting way

to travel if considered, these days, somewhat plebeian and

likely to give rise to boredom and daytime fantasies...

 

4.

In the imagination.

 

5.

Staring into the cow's eyes – they are justly famous for.

 

6.

Boldly in your hey-day before promise took you

on its bristling ride through hope.

Every encounter might last somewhere

in love and cow might mean something

with the same spelling but different

pronunciation and meaning –

 

7.

This is your desire for a heteronomous relationship

with an animal with many stomachs.

 

8.

Poetically. Understanding this vulnerable creature

of the flesh, more than likely condemned to death.

 

9.

Heteroousian fuck.

 

10.

Not to be confused with carnal knowledge of a heifer.

(Friesians being widely known for their frigidity

and refridgerable qualities.)

 

11.

 

'Passages are physical' and 'all passages are practice': if at first

you don't succeed, try try again.

 

12.

 

On that bare place

on a hill-face

without the mob

and tactics.

 

The head of tree

fastening our bodies

to the cool earth

with shadow.

 

(The above is a scenario

without faith:

 

Something might happen later

to make me believe.

I know I'll be fooled.

But I won't know that later

because I'll be fooled

and happy.)

 

13.

 

...in reality, it is always rape.