
Paul Hardacre is the editor of the papertiger:
new world poetry CD-ROM and the poetry e-zine hutt. His first collection
of poetry, The Year Nothing, is forthcoming from HeadworX (New Zealand)
in July 2003.
the shelter bed
graf
a tea-strainer for racquet
a clever anti-snobbish thread &
narrative pick-up on listless joy /
the need to relax & buy this can
or streamer / african black box head
she winks & says she likes it / like
to read that later all folded phoned &
moby noises zip-front hooded in blue
he walks in euro diesel / bridge & heart
aligned its landslide note or flower
pong / the azaleas cut & rooted in
ice cream buckets she hesitates
to hand them over / holding the
side garden silent & rotten to dump
this the grass on the bed under plastic &
fallow & tapping the armchair for years
& now growing a beard he yells or forgets
about venice or stanley street jane & the cut of
his suit & the hands became paper / fish
or his dick & the old style was raised before
blankets on windows or japanese steel &
he trained back to brisbane / & gutted / the
call & her flecks being hazel & painted
or sleeping & watching her sit in the heat
then undressed on a towel & she oceans
or swarms to the edge to the marvel of
shells make it time-lapse / a black sun
she motors & waves
Indian Love
Poem
for Marissa
bored with napoleon think of flower
& stone entangled / the sweet red
knot makes tongue & she / her way of
murdered alphabets / walking through
sinkiang. at the very top of the body
replace classical head with sky-chariot /
name in gold & set with memory’s
precious stars / bride like stricken fawn
in creeper curls she sleeps viridian
tendrils dreams the pink mango
nightingale / lusty branches salute
venice (celestial fridge) / a shallow water
utopia for a bearded head or tower
she waits taking in the details:
over clear ponds parrots mistake her
lips for fruit scratched with claws &
beaks look splendid / liquid peacock
eyes & glancing like a lower lip or german
curses walking folds of cloud or butter /
the winged victory borne in a fast knot /
comet or sari / the loose end civet-smell
duck-headed stick-man & only then
toe-nails aurora or cranium merges
the visible stretches of her versus blue
& the sheets or collyrium stain on yr cheek
where this morning her pointed breasts & my lips bruise
winter, hinged
the tasteless soup of may
like childhood ramped or hands
of 1912 refused / so big & can't believe
they're paper now & bone from printed
books the ranns of cutch a tourist kund &
twirl of waxen hair in stone & close up
things get weird / cyclopean & docked in
sydney the names are real & wet & monday
makes her howl for logs & breathing mound
the ring of cancelled lino / catlike licks / she
aniseed masks in red with horns & rasta tone /
head creaked bird & sky like the smiths or
bootleg preachers / a kind notion slippered &
not to be quit / it rains & she numbers she smiles
like a rabbit lampooned & then cornered or penned
& while naked is good she will turn face the
window & jumbled in tropics with ground
birds a turf interrupted the dislocate push

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