Graham Foust’s
recent collection is As In Every Deafness (Flood Editions, 2003).
Thirteen
Colonies
Fruit thumps in the pointless
grass, has no hand in itself.
Pain’s a sort of orchard.
A summer flower plucked black’s
a kind of
tool.
*
I move around my many-
cornered heart some.
Evidence, reason, domain
I might blink back.
Home’s a problem all
heavy with walls.
*
Gashed arch
of the last of
an orange, a frown
of old moon.
*
Evening’s quick
ships of leaf are now
a shambles, the sky
an upturned sea.
*
Later, winter
busies, winter
buries, winter
bruises.
*
A thimbleful of diesel.
Believable slaves.
*
If only I couldn’t
understand, I’d imagine
some sarcastic new Christ, say
something someone would say.
*
I first heard loss on a record
I no longer own.
*
Like new stars
or planets, our things
move quickly from missing
to significant. Loose hair
in my mouth, hands.
*
The way the days gray over is almost
a system. Sing at me
that sworn-to pedestrian sound.
*
How really caught we are: caught
not looking, caught wet
clicking, caught
small.
*
What ruptured
constituents keep
me from the real,
the acres on
the inside flags refuse.
*
Loose hair, again in
my mouth—what clerking.
I want something to not
do with my hands.
the lake
tears
we should’ve been this—
I don’t hate you
broken gift
*
cue the dull
machinery—
deer
are licking at leaves, the lake
only the asymptotes
a sound somewhere
its airplane
somewhere else
*
songs aren’t music
songs have to do
with music
*
all together now
all
apart
like moving large objects around
You can’t
smoke in
bars now
in rich-
kid city—
a grim
dumb logic
like moving
large blah
blah-blah blah.
Close your
face. Tongue
a star.
Knock on
water. Try
to find
something in
the fire.
a single person passing through a doorway in the dark
I am slow
as quiet, all
of clean, clean hell away.
Pain is okay. (It’s
the practical
that murders.)
Birdsongs now
in the fuck-
thicketed blackout—
atavistic,
adrift—blow
me through, down.