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Ted Nielsen (b. 1968) lives in Sydney, Australia. Five Island Press published search engine in 1999, and Vagabond Press published wet robot in 2001.
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anti-rational I can't believe there's not another world where we will sit and read new poems to each other - Frank O'Hara in my grandmother's orchard are many pony clubs & all the ponies love to blink let me never write of childhood it's much as yours & just as vital a blankness against you trace my limbs & let our pose attempt to answer questions i avoid i am not a brave man i am without a childhood & if i if you there is no protection nothing to offer my darker moods or yours & soon consumes us if we never went to school how could we not have gone together & yet we walked across the river out of history where we live apart & part of everything we speak & beautiful & meet & go away to meet again & if we dare not vanish let me never write & this for you towards current affairs the long, tepid afternoon. i have sulked myself to a standstill, though perhaps i am 'not well.' perhaps it is the weight of all that boring poetry crushing me? (will you guys please quit it? shrugs.) i would like to make a documentary about my life. i don't think it will be an interesting film. except! all the things i could say about my friends. i wonder if talking is a drug? psychology says yes. can we arrest the prime minister for abuse of a controlled substance? his control is so rigid i grind my teeth in response. how could a lifetime of ambition resolve into something so dull? (tedium keeps the cabinet in line. the boys on the front bench look solemn (pompous), the country settles lower in the waves.) he would be in the documentary, too. a kind of comedic figure who really wasn't very funny, peering round the edges of the frame in his silly hat. the theme music begins. claimed sustain i. reverb classic hits & monkey memories all set out like a dinner! here at the backend of the thirty-year crying jag what got you going is somehow blurred, as if you've woken up with someone else's head on your brother's shoulders. leichardt spins around you, the beginnings of astrology (bus stop rising in laundromat) or flawed thinking about sex in terms of technologies of reproduction, hips doing the xerox thing outside petersham station. ii. higher calling i walk up some street wearing something ah fuck it. revolutionary poetics? piss off. like standing at the urinal surreptitiously measuring your motives. i think your one lasting contribution to contemporary life was to shut up (a promising if ultimately flawed project). why not apply for a grant & try again? iii. the wild, the innocent, & the king street shuffle buttocks clenched against the wind hammering in from halfway to tempe. geography is meaningless beyond a sullen reminder i'm not keanu reeves so the pre-symbolic better leef me alone. imagism connotes the fascist fetish but i'm considering the total operation just as mathematics fails us or we refloat the slave trade on a raft of hormones. what i do with my anger is sublimate it, how about you? & is your art really designed to make me think you're a wanker? it's doing a great job. pneumonia. are you at risk? bright lights / downtown / keanu! say it ain't so! iv. kissing cousins riffing on the way your shoes rub your heels won't carry your end of the party, & those film crews charging about could be a subtle hint. best to swallow that mouthful of wine again & see if you can repeat that expression, this time with a tilt of the head? a little quizzical, maybe a little skeptical? okay, places people. v. trans-tasman facial rubber dolphins desire pornography & what you think of as your heart is a bunch of synapses you smash with a mallet, rugged up & screwed around like '80s anthems played underwater or listening to the neighbours upstairs fucking in their bathroom. a handy guide to statistics placates your lack & now your projections inherit their rigour from scholastic publishers, an algebra of repression & the failure of your head derives. vi. transcendental bullshit clued in at the speed of light like the ultimate bassline, what's the day doing about genocide? now i'm more complete breakfast's hardly a challenge, just check out my fat arse on the recliner theory built, bubble wrapped modalities deflect every impact as chemicals precipitate from the body's solutions (solving nothing), phenomenological soup for the soul you're having trouble trying to conceive. time for bed & your nightly affirmations. time enough for sludge. scopophilia where the body forms an imperfect alibi like terminal lyric documentary filmmaking is the perfect toy & after we decode the menu the waiter brings our prize. (go easy on the hollandaise sauce.) will technical problems derail the evening? the question as modus operandi picks you up & drives you home, self-contained as a history of surfing recovered from a garage sale, & outside the field of the poem the shape of your aversions is hopeful & seething. does emerson as transparent eyeball freak you out? aloha decorum! we're giggly & lurching but you should see us now, stranded on the lounge / implacable & remote controlled. |